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Hand-Painted Avalokiteswora Chyangras Tibetan Thangka Finest Art 17 x 22 Inches

SKU: GE-EFN9|In stock

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Made in Nepal, Nepal Center

Seller Countries: NP

$598.00

A genuine hand-painted Tibetan Thangka painting of Avalokiteshwor who is regarded as the Lord who looks down towards the entire realm.
Shipping TermFOB
Unit Of MeasurePcs
Package Weight0.6500 kgs
Min Order Qty10
Max Order Qty10
Available Stock2
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GENUINE HAND-PAINTED AVALOKITESHWOR CHYANGASI TIBETAN THANGKA

 

Size of the painting: 17 inches x 22 inches (43 cm x 56 cm)

Material: Canvas

Color: Gold

This is the finest hand-painted Thangka in painted by a Thangka artist. The Avalokitesvara (Chenrezig, Chyangasi) means the Lord who looks down towards the entire realm. Avalokitesvara Bodhisattva is the one worshiped first in the Buddhist tradition. Avalokitesvara is also referred to as Padmapani “Holder of the Lotus” or Lokeshwara “Lord of the World.” He is a God of compassion and wisdom.

 

What is Thangka?

  • A thangka, also known as tangka, thanka or tanka is a painting on cotton, or silk appliquĂ©, usually depicting a Buddhist deity, scene, or mandala.
  • The thangka is not a flat creation like an oil painting or acrylic painting but consists of a complex subject.
  • Generally, thangkas last a very long time and retain much of their luster, but because of their delicate nature, they have to be kept in dry places where moisture won't affect the quality of the painting.
  • The Thangkas serve as important teaching tools depicting the life of the Buddha, various influential lamas and other deities and bodhisattvas.
  • The Thangka, when created properly, performs several different functions. Images of deities can be used as teaching tools when depicting the life (or lives) of the Buddha, describing historical events concerning important Lamas, or retelling myths associated with other deities.
  • The Devotional images act as the centerpiece during a ritual or ceremony and are often used as mediums through which one can offer prayers or make requests.

 

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