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Tibetan Conch Shell with Green Tara Hand Carved

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SKU
HME21784
$110.00
Tibetan Conch Shell with Green Tara Hand Carved code: HME21784 Weight : 1.14 Kg(s) size :20 Cm
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FOB
Unit Of Measure:
Pcs
Package Weight:
1.14 kgs
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1
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1
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1
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Product Tags Tibetan Conch Shell, Green Tara Hand Carved, Ritual Object, Religious Object, Natural Sea conch shell, Hinduism shankha, Shankha, Buddhisim shankha

Tibetan Conch Shell with Green Tara Hand Carved


Weight: 1.14 kg
Size: 20 cm
Material: Conch shell


About the Product


Brief Introduction


Iconography
Green Tara's special lotus is the blue lotus or 'night lotus' which she bears in both hands. The word utpala means to 'burst open'. Her left hand holds a stem with an open blooming flower and an unopened bud. The bent lower part of the stem represents the root. The open blossom represents the present and also the present Buddha; the bud represents the future and also Buddhas yet to be born. The future here also refers to a safe journeys end and a future well being. Her right hand wisdom hand is in the gesture of giving refuge. The third finger touches the thumb to create a circle representing the union of wisdom and compassion and the three extended fingers symbolise the Three Jewels of Buddhism a. The Buddha State b. The Body of teachings c. The Principles of the Universe The same hand holds the stem of a blue lotus representing her willingness to assist. The closed blossom in her right hand represents the past and also the Buddhas of the past. Green Tara is shown in a place of paradise called Khadiravani where she Tara dwells. Khadiravani is described as a great mountain kingdom with many trees flowers and animals (not shown). 3 rainbow tails emanate from her outer aureole. The crescent moon and sun symbolise the union of male and female ubiquitous in Tantric art.


The seventy two golden lines represent psychic energy channels emanate from her body and her central psychic channel running up her spinal column. Each one signifies a thousand as there are traditionally seventy two thousand channels. The gold lines alternate between wiggly and straight to represent the two main psychic channels running up the central channel that entwine to create the interlocking 'snaking' caduceus and to which the energy channels are connected. The trees in the foreground are the Ashoka Tree. The word ashoka means 'without sorrow' and is the tree linked to the Vedic God of love and sexual union Kamadeva. Apparently the tree blossoms when a virtuous lady touches it.

Commentary
The word Tara means the one who saves. The word Tara is derived from the root trimeaning to cross and in context is taken to mean the one who helps people to cross the Ocean of Existence and Suffering. Green Tara is also called 'dark' Tara or more directly Shyama Tara. Green Tara is associated with the Amoghasiddhi who is also green and the north facing Meditation who is head of the action family. Her willingness to help others is shown by her body posture with one foot ready so that she can rise to offer assistance. Like WhiteTara she was born of the tears of compassion of the Bodhisattva Avalokiteshvara resulting from the extreme state of sadness he experienced when observing the continuing ceaseless suffering which he sought to end.

 

Mantra for Green Tara

Om Tare Tuttare Ture Soha

 

Sankha: Brief Introduction

An offering vessel; a symbol of Vishnu. In Hindu tradition the conch shell seems to have been extensively used in wars by ancient Indian. The white conch shell whose humming sound proclaims the glory of the saints. It is especially given as a symbol to the gods as the sound vibrated through a shell penetrates far and wide.CONCH SHELL: IconographicThe conch shell this has been used as the original from the past ancient times in ancient history of Nepal and India these horns are used to commence is any rituals or worn. Popularly known as Shanka is a musical instrument blow by the lord Krishna to declare the start of the war of Mahabharata. in all the epic stories of Hinduism shankha has been described being carried by all the heroes of the past.

In Vajrayana Buddhism.This has been recognised as the symbol of fearlessness and proclaimed the truth of dharma. This is the one of the eight symbols of good fortune this stands for the popularity and fame of Buddhist teaching which spread in all direction like the sound of the Conch Trumpet.

In addition to Buddha's throat the conch also appears as an auspicious mark on the soles palms limbs breast or forehead of a divinely endowed being.

The fourfold caste division is also applied as follows:

The smooth white conch represents the Brahmin caste (priests)
The red conch the kshatriyas (warriors)
The yellow conch the vaishyas (merchants)
The grey conch the shudras (labourers)
Additionally there is a fundamental classification of conch shells occurring in nature: those that turn to the left and those which turn to the right. Shells which spiral to the right in a clockwise direction are a rarity and are considered especially sacred. The right-spiralling movement of such a conch is believed to echo the celestial motion of the sun moon planets and stars across the heavens. The hair whorls on Buddha's head spiral to the right as do his fine body hairs the long curl between his eyebrows (urna) and also the conch-like swirl of his navel.
The Left Turning Conch The Right Turning ConchIt is one of the main emblems of Vishnu and his conch bears the name of Panchajanya meaning 'having control over the five classes of beings.'

Arjuna's (hero of the Mahabharata) mighty conch was known as Devadatta whose triumphant blast brought terror to the enemy. As a proclaiming battle horn the conch is akin to the bugle. It is an emblem of power authority and sovereignty whose blast is believed to banish evil spirits avert natural disasters and scare away poisonous creatures.

Today in its greatly tamed avatar the conch is used in Tibetan Buddhism to call together religious assemblies. During the actual practise of rituals it is used both as a musical instrument and as a container for holy water.

Ancient Indian belief classifies the conch into male and female varieties. The thicker-shelled bulbous one is thought to be the male (purusha) and the thin-shelled slender conch to be the female (shankhini).

 

Buddhist monk blowing conch shell at Mindrolling Monastery



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