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Monastery Quality Statue Of Stupa- Chaitya- Chiba, Fire Full Gold Plated

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Seller From : Nepal

Monastery Quality Statue Of Stupa- Chaitya- Chiba, Fire Full Gold Plated

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HME22161

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$450.00

Monastery Quality Statue Of Stupa- Chaitya- Chiba, Fire Full Gold Plated code: HME22161 Weight : 3.71 Kg(s) size :30x15x15 Cm

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Seller	Handmade Handicraft
Product Tags	Handmade, Handicraft, Craft, Statue, Idol, Sculpture, Gold Plated, Stupa, Temple, Chaitya, Chiba, Buddhism, Statue Of Stupa
UK Size	4
Seller	Admin

Handmade Handicraft

Seller Countries: Nepal

Monastery Quality Statue Of Stupa- Chaitya- Chiba Fire Full Gold Plated

Weight: 3.71 kg
Size: 30x15x15 cm
Material: Gold Plated

About the Product

Finishing: Full Fire Gold Gilded

Detailed Description of Mercury Gilding - Source wikipedia
Fire-gilding or Wash-gilding is a process by which an amalgam of gold is applied to metallic surfaces the mercury being subsequently volatilized leaving a film of gold or an amalgam containing 13 to 16% mercury. In the preparation of the amalgam the gold must first be reduced to thin plates or grains which are heated red-hot and thrown into previously heated mercury until it begins to smoke. When the mixture is stirred with an iron rod the gold is totally absorbed. The proportion of mercury to gold is generally six or eight to one. When the amalgam is cold it is squeezed through chamois leather to separate the superfluous mercury; the gold with about twice its weight of mercury remains behind forming a yellowish silvery mass with the consistency of butter.

When the metal to be gilded is wrought or chased it ought to be covered with mercury before the amalgam is applied that this may be more easily spread; but when the surface of the metal is plain the amalgam may be applied to it directly. When no such preparation is applied the surface to be gilded is simply bitten and cleaned with nitric acid. A deposit of mercury is obtained on a metallic surface using quicksilver water a solution of mercury(II) nitrate the nitric acid attacking the metal to which it is applied and thus leaving a film of free metallic mercury.

The amalgam is equally spread over the prepared surface of the metal the mercury is then sublimed by heat just sufficient for that purpose; for if it is too great part of the gold may be driven off or it may run together and leave some of the surface of the metal bare. When the mercury has evaporated which is known by the surface having entirely become of a dull yellow color the metal must undergo other operations by which the fine gold color is given to it. First the gilded surface is rubbed with a scratch brush of brass wire until its surface is smooth.

It is then covered with gilding wax and again exposed to fire until the wax is burnt off. Gilding wax is composed of beeswax mixed with some of the following substances: red ochre verdigris copper scales alum vitriol and borax. By this operation the color of the gilding is heightened and the effect seems to be produced by a perfect dissipation of some mercury remaining after the former operation. The gilt surface is then covered over with potassium nitrate alum or other salts ground together and mixed into a paste with water or weak ammonia. The piece of metal thus covered is exposed to heat and then quenched in water.

By this method its color is further improved and brought nearer to that of gold probably by removing any particles of copper that may have been on the gilt surface. This process when skillfully carried out produces gilding of great solidity and beauty but owing to the exposure of the workmen to mercurial fumes it is very unhealthy. There is also much loss of mercury to the atmosphere which brings extremely serious environmental concerns as well.

This method of gilding metallic objects was formerly widespread but fell into disuse as the dangers of mercury toxicity became known. Since fire-gilding requires that the mercury be volatilized to drive off the mercury and leave the gold behind on the surface it is extremely dangerous. Breathing the fumes generated by this process can quickly result in serious health problems such as neurological damage and endocrine disorders since inhalation is a very efficient route for mercuric compounds to enter the body. This process has generally been supplanted by the electroplating of gold over a nickel substrate which is more economical and less dangerous.

Fire Gold Plating In Nepal

Making Process: Lost-Wax System

Stupa: Brief Introduction

A stupa is a mound-like structure containing Buddhist relics typically the remains of Buddha used by Buddhists as a place of worship. The stupa is the oldest Buddhist religious monument and was originally only a simple mound of mud or clay to cover supposed relics of the Buddha (cetiya). After the parinirvana of the Buddha his remains were cremated and the ashes divided and buried under eight stupas with two further stupas encasing the urn and the embers. Little is known about these early stupas particularly since it has not been possible to identify the original ten monuments. However some later stupas such as at Sarnath and Sanchi seem to be embellishments of earlier mounds.

The shape of the stupa represents the Buddha crowned and sitting in meditation posture on a lion throne. His crown is the top of the spire; his head is the square at the spire's base; his body is the vase shape; his legs are the four steps of the lower terrace and the base is his throne.

IconographyThere are eight different kinds of stupas in Tibetan Buddhism each referring to major events in the Buddha's life.
Lotus Blossom Stupa
Also known as Stupa of Heaped Lotuses or Birth of the Sugata Stupa this stupa refers to the birth of the Buddha. "At birth Buddha took seven steps in each of the four directions" (East South West and North). In each direction lotuses sprang symbolizing the Four Immeasurables: love compassion joy and equanimity. The four steps of the basis of this stupa is circular and it is decorated with lotus-petal designs. Occasionally seven heaped lotus steps are constructed. These refer to the seven first steps of the Buddha.

Enlightenment Stupa
Also known as the Stupa of the Conquest of Mara. This stupa symbolizes the 35-year-old Buddha's attainment of enlightenment under the bodhi tree in Bodh Gaya where he conquered worldly temptations and attacks manifesting in the form of Mara.

Stupa of Many Doors
Also known as the Stupa of Many Gates. After reaching enlightenment the Buddha taught his first students in a deer-park near Sarnath. The series of doors on each side of the steps represent the first teachings: the Four Noble Truths the Six Perfections the Noble Eightfold Path and the Twelve Links in the Chain of Dependent Origination.

Stupa of Descent from the God Realm
At 42 years old Buddha spent a summer retreat in Tushita Heaven where his mother had taken rebirth. In order to repay her kindness he taught the dharma to her reincarnation. Local inhabitants built a stupa like this in Sankasya in order to commemorate this event. This stupa is characterized by having a central projection at each side containing a triple ladder or steps.

Stupa of Great Miracles
Also known as Stupa of Conquest of the Tirthikas. This stupa refers to various miracles performed by the Buddha when he was 50 years old. Legend claims that he overpowered maras and heretics by engaging them in intellectual arguments and also by performing miracles. This stupa was raised by the Lichavi kingdom to commemorate the event.

Stupa of Reconciliation
This stupa commemorates the Buddha's resolution of a dispute among the sangha. A stupa in this design was built in the kingdom of Magadha where the reconciliation occurred. It has four octagonal steps with equal sides.

Stupa of Complete Victory
This stupa commemorates Buddha's successful prolonging of his life by three months. It has only three steps which are circular and unadorned.

Stupa of Nirvana
This stupa refers to the death of the Buddha when he was 80 years old. It symbolizes the Buddha's complete absorption into the highest state of mind. It is bell-shaped and usually not ornamented.Inside The StupaAll stupas contain a treasury filled with various objects. Small offerings called Tsa-Tsas fill a major part of the treasury. Creation of various types of Tsa-Tsas is a ceremony itself. Mantras written on paper are rolled into thin rolls and put into these small clay stupas. Filling the treasury one layer of Tsa-Tsas are placed and the empty space between is filled with dry sand. On the new surface appearing another layer is made until the entire space of a treasury is full.

The number of Tsa-Tsas are dependent on the size of both the treasury and Tsa-Tsa since it should be completely filled. For example the Kalachakra stupa in southern Spain has approximately 14 000 Tsa-Tsas within.
Jewellery and other "precious" objects are also placed in the treasury. It is not necessary that the jewellery be expensive since it is the symbolic value that is important not the market price. It is believed that the more objects placed into the stupa the stronger the energy of the Stupa will beChaitya : Brief IntroductionChaitya or the Stupa which represents the Buddhist Universe is the Buddhist sanctuary sometimes square and sometimes round with spires or steps on the capital. Each spire or step represents a heaven the uppermost portion being a point which is supposed to be the highest peak of Mount Sumeru a mythical mountain hence the Buddhichitta loses itself in sunya. On the four sides of the chaitya the figures of your Dhyani Buddhas Akkshobhaya. Ratna Sambhav Amitabha Amoghasiddhi are placed. The place of Vairochana is in the center. In some Chaitya Vairochana is placed to the east along with Akshobhaya.