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Old Stock , Tibetan Statue of White Jambala, Patly Gold Plated and Painted Face , Last Piece

Old Stock , Tibetan Statue of White Jambala, Patly Gold Plated and Painted Face , Last Piece

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HME21685

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$700.00

Old Stock , Tibetan Statue of White Jambala, Patly Gold Plated and Painted Face , Last Piece code: HME21685 Weight : 2.57 Kg(s) size :21x13x9 Cm

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2.57 kgs

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Seller From : Nepal

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Product Tags	Tibetan Statue, white Jambala Statue, Gold Plated Statue, Statue, Metal Craft Statue, Idol, Sculpture

Handmade Handicraft

Seller Countries: Nepal

Old Stock Tibetan Statue of White Jambala Patly Gold Plated and Painted Face Last Piece

Weight: 2.57 kg
Size: 21x13x9 cm
Material: Copper

About the Product

Face: Gold Painted

Protecting the Face
As the face is painted it is highly recommended that the face of the statue is to be greatly taken care of as it requires a very professional and skilled face artist to repair the face of dirt and damages. Commonly to protect it from damage the statue with painted face is placed under a glass box and it is always covered with a cotton face mask if it has to be moved

Video of Face Painting

Finishing: Partly Gold Plated

Detailed Description of Mercury Gilding - Source wikipedia
Fire-gilding or Wash-gilding is a process by which an amalgam of gold is applied to metallic surfaces the mercury being subsequently volatilized leaving a film of gold or an amalgam containing 13 to 16% mercury. In the preparation of the amalgam the gold must first be reduced to thin plates or grains which are heated red-hot and thrown into previously heated mercury until it begins to smoke. When the mixture is stirred with an iron rod the gold is totally absorbed. The proportion of mercury to gold is generally six or eight to one. When the amalgam is cold it is squeezed through chamois leather to separate the superfluous mercury; the gold with about twice its weight of mercury remains behind forming a yellowish silvery mass with the consistency of butter.

When the metal to be gilded is wrought or chased it ought to be covered with mercury before the amalgam is applied that this may be more easily spread; but when the surface of the metal is plain the amalgam may be applied to it directly. When no such preparation is applied the surface to be gilded is simply bitten and cleaned with nitric acid. A deposit of mercury is obtained on a metallic surface using quicksilver water a solution of mercury(II) nitrate the nitric acid attacking the metal to which it is applied and thus leaving a film of free metallic mercury.

The amalgam is equally spread over the prepared surface of the metal the mercury is then sublimed by heat just sufficient for that purpose; for if it is too great part of the gold may be driven off or it may run together and leave some of the surface of the metal bare. When the mercury has evaporated which is known by the surface having entirely become of a dull yellow color the metal must undergo other operations by which the fine gold color is given to it. First the gilded surface is rubbed with a scratch brush of brass wire until its surface is smooth.

It is then covered with gilding wax and again exposed to fire until the wax is burnt off. Gilding wax is composed of beeswax mixed with some of the following substances: red ochre verdigris copper scales alum vitriol and borax. By this operation the color of the gilding is heightened and the effect seems to be produced by a perfect dissipation of some mercury remaining after the former operation. The gilt surface is then covered over with potassium nitrate alum or other salts ground together and mixed into a paste with water or weak ammonia. The piece of metal thus covered is exposed to heat and then quenched in water.

By this method its color is further improved and brought nearer to that of gold probably by removing any particles of copper that may have been on the gilt surface. This process when skillfully carried out produces gilding of great solidity and beauty but owing to the exposure of the workmen to mercurial fumes it is very unhealthy. There is also much loss of mercury to the atmosphere which brings extremely serious environmental concerns as well.

This method of gilding metallic objects was formerly widespread but fell into disuse as the dangers of mercury toxicity became known. Since fire-gilding requires that the mercury be volatilized to drive off the mercury and leave the gold behind on the surface it is extremely dangerous. Breathing the fumes generated by this process can quickly result in serious health problems such as neurological damage and endocrine disorders since inhalation is a very efficient route for mercuric compounds to enter the body. This process has generally been supplanted by the electroplating of gold over a nickel substrate which is more economical and less dangerous.

Fire Gold Plating In Nepal

Making Process: Lost-Wax System

White Jambala: Brief IntroductionJambhala (also known as Dzambhala Dzambala Zambala or Jambala) is the God of Wealth and appropriately a member of the Jewel Family (see Ratnasambhava). He is sometimes equated with the Hindu deity Kubera. Jambhala is also believed to be an emanation of Avalokitesvara or Chenrezig the Bodhisattva of Compassion. There are five different wealth Jambhalas; each has his own practice and mantra to help eliminate poverty and create financial stability.

Gyalten Sogdzin Rinpoche said that Jambhala is the protector of all Lineages and of all sentient beings from all sickness and difficulties. Jambhala is a Bodhisattva of material and spiritual wealth as well as many other things especially of granting financial stability.

Because in this world there are all kinds of wrathful and negative emotions or bad spirits and sometimes they will harm you and other sentient beings Dzambhala must take on such a wrathful and powerful form to protect us from these harmful spirits and negative karma. Especially Dzambhala helps us minimize or decrease all misfortunes and obstacles and helps us increase all good fortune and happiness.Â”About White JambalaWhite Jambhala (or Dzambhala Gapee in Tibetan) is the compassionate manifestation of the Bodhisattva Chenrezig (Guan Yin). He can remove the suffering of poverty and sickness purify non-virtuous karma and karmic obstacles avert disaster and sickness and evolve bodhicitta mind.

The Tibetan legend said that a revered high lama Atisha was walking alone when he found a man starving and near death. After looking around and unable to find food for the old man he cut flesh from his own body and offered it to the starving man. But the man refused to eat of his flesh. Being depressed and not knowing how else to help the man nearing death Lama Atisha sat down next to him. At that point there was a blinding bright white light and before Atisha appeared Chenrezig of Compassion. He told Lama Atisha that he was going to manifest himself as the God of Wealth Jambhala and assure that those in poverty would suffer no longer.

As the manifestation of Avalokitesvara Bodhisattva White Jambhala was born from his right eye. He sits on a snow lion although some artists depict him sitting on a dragon and a mongoose in his left hand spits out precious diamonds and ornaments. White Jambhala has white colored body. He also holding a Wealth Banner in his left arm and a gold sword in his right. The Mantra of White Jambhala is:

Om Padma Krodha Arya Jambhala Hridaya Hum Phat
When cultivating the "Dragon-ridding White Jambhala Practice" the practitioners can also pray that he will lead them to hidden treasures. In the olden days Tibetan Tantric masters placed their precious teachings in caves. These teachings were sealed in the four elements of "earth water fire and wind". One needs to employ very special methods to retrieve these Dharma treasures. One must also know the location of the caves where these ancestry masters had practiced in seclusion. The practitioners may pray to the "Dragon-ridding White Jambhala" so that he will bring them to these caves where the treasures were hidden.

Mantra of White Jambala

Om Padma Krodha Arya Dzambhala Hridaya Hum Phat

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